Educator Learn How to Play Like a Studio Musician (in 30 Days)
I’ve always thought of like a studio musician at some time within my life, that’s the direction I had planned ongoing. I had sent applications for a college music program, visited the audition, and even got accepted on bass guitar, but I thought we would play it safe and acquire a small business degree. Despite this variation in plans, music was always my first love. Years later, I had the chance to use on a CD my friend had produced. It had been a couple of years since I was completely entrenched in music, so I had lost several of my “chops”.
I needed to have back to top form because playing in the studio isn’t like playing live. It’s a little nerve-wracking your first time. It’s a little bit like being with a microscope. You become considerably more alert to your timing (or lack thereof) along with your musical knowledge. In the studio, time is money, if you have no idea the music activity it is going to cost you. You generally don’t use studio-time to rehearse. Overall, the ability would be a good website to me nonetheless it left me wondering if I thought we would grab where I left off in university and become a studio musician, what it really would take.
I’ve been involved in music playing, but I would have some apprehension if I were required to return to the studio today. What would my game plan be for being studio-ready? Based on my own experience knowing that of well-respected, professional musicians, I believe this can be what it takes to get a great musician, regardless of your instrument or skill level.
1. Do your scales every day.
I say this to any or all of my students. Scales could be boring and repetitive, but they are the foundation of the playing. They make you knowledgeable about your instrument and they build your fingers considerably more nimble and quick. Just like we wouldn’t develop a house without a strong foundation, you simply can’t expect to be a strong musician without these play blocks. There are a variety of scales, but although you may stick with the traditional Do Re Me Fa Sol La Ti Do (you could consider this from your Sound of Music), you will see your playing improve immensely. An effective method I use with my students would be to challenge themselves to have fun playing the scale with no errors half a dozen times in a row. If they make an oversight, they should start from scratch again until they achieve five perfect, consecutive runs. This is a great exercise for focus and concentration.
2. Learn how to experience in every single key
As musicians, natural meats get tempted to play a single or 2 of well-known keys. I prefer the true secret of F since it feels nice on my fingers and it’s comfortable to sing in. This limits your playing though. Sometimes playing a song inside a key that is too low causes it to lose a lot of its intensity. On the flip side, a song played too much run potential risk of sounding like shrieking. A good exercise just for this would be to have a song that’s not too basic or too difficult and transpose it into every key. You will want it to sound as fluent in the most key signature as inside the original key.
3. Learn how to read music
Reading music can be a language that can be learned at any age, though the earlier you could start the higher. In a studio setting, a chance to read music can save lots of time for everyone. If you have the chart directly in front of people, you won’t worry about arranging the song or remembering the framework with the song.
4. Learn how to play by ear
Playing by ear can be a skill that I must consciously focus on to have better internet marketing. I wasn’t born with a “great ear” as a lot of people are, so I tend to prefer using sheet music. Anyone who may have played music in the church can probably let you know of the time once they were asked to learn a song they didn’t know. They may have often heard it a couple of times, however, the sheet music wasn’t directly in front of these. This used to become my worst nightmare but I overcame the fear of playing by ear, by ironically enough, playing by ear. If the sheet music isn’t available and I’m needed to perform the song, I ought to figure it out.
This requires a lot of critical listening. A great tip that I was taught ended up listening from the ground up. Start by listening to the bass line and charting that out. The reason for this is the bass is the foundation of the band in a sense it is that which you build the chords on. Generally, we can easily find out a chord progression through the direction the bass will go in. Then you can add the melody on top of it to obtain a more complete picture. If you don’t know how to learn by ear, the simplest way to start is by playing simple melodies that you are very familiar with. A great, more advanced strategy to create your ear would be to recreate a song using music production software, like Garageband. Listen carefully to every one musical element and attempt to copy what they’re doing. When you’re done, compare your song to the first recording and find out how close you were with it.
5. Work on your vocals
It seems this kind of a shame to perfect a musical instrument, but not master your built-in instrument. Using your voice properly, through proper breathing techniques and physical awareness has several benefits to you. Singing becomes more enjoyable when your voice is consistent and doesn’t let you down. Improper use of our voice can also result in throat problems.
6. Play with other respected musicians
All in the technical aspects I mentioned are essential, but once you’re able to an area of musical proficiency, you’ll want to constantly stay sharp by playing with other musicians. I learned a great deal by simply watching other musicians play and copying what you did. You could also gain lots of insight by speaking to other musicians relating to musical philosophies, past pitfalls, and exercise techniques that worked on their behalf.
I can’t guarantee that producer will probably be beating down your door to use on their next record, but when learning about even half of the things about this list for the next thirty days, you will notice your playing improves significantly. You never get “too old” to try out music. The more you work on your skills, the more you will need to offer.